Monday, August 18, 2008

Coldplay: 2009 Wall Calendar




Dance has been an important part of rituals, celebrations and entertainment since before the birth of human civilisation. In the beginning, before we had written language to record things, the purpose of dance was often to tell stories and to pass them down to future generations.

The story of dancing in Cuba

In Cuba, as in ancient times, dance tells its own story. The passion and energy of Cuban dance reveals the strength and conviction of the Cuban people, determined to enjoy life despite 'la lucha' (the struggle) of living in a strictly regulated country where the average monthly wage comes in at around 400 pesos - less than 10.

The richness of Cuban music and dancing also tells the story of Cuba's melting pot of cultures. From the high-stepping flamenco brought by the Spanish settlers in the 15th century to the frenzied tribal dances of the West African slaves, dancing is in the blood of the Cuban people.

From the teenage girl in denim shorts to the cigar-seller on the street corner, Cubans are given to break into spontaneous dance steps. Furthermore, the people dancing on the streets of Havana are likely to be just as good as the professionals, because in Cuba dancing is simply a way of life.

The variety of Cuban dances

Cuba boasts a huge range of dances including classical ballet, contemporary, flamenco and folk dancing. But it is the partnered routines that appeared in Havana dancehalls between the 1920s and the 1950s - Salsa, rumba, mambo and cha-cha-cha - that can be seen in every Cuban bar, club and street. Of these, Salsa is the most popular dance internationally.

Since the name 'Salsa' (it's Spanish for 'sauce') was coined, Salsa dancing has exploded in popularity in Latin America and across the world. Salsa dancing classes are now hugely popular but to really get into the swing of it a Salsa holiday in Cuba itself is a must.

Tips for Cuban Salsa dancing

If you do take yourself on a Cuban holiday, you'll have the unique experience of watching Cubans Salsa dancing. It sometimes appears that by some genetic aberration they have been born with super flexible joints, defying physics to carry out all the complex manoeuvres they have integrated into the dancing. Their remarkable twisting body movements and natural sense of rhythm will dazzle you.

If you have the right technique, Cuban Salsa is easier to learn than many other forms of dance. The basic footwork is a fairly simple walking motion, pausing every fourth beat, and there are some six basic steps you can follow to make sure you're on the right tracks.

1 Relax

To dance Cuban Salsa well it is important not to rush, but to relax into the steps. Movements should be precise and deliberate in addition to being flowing and smooth.

2 Walk with purpose

Salsa dancing involves a continual circular motion. Couples walk around each other with an imaginary axis between them. This makes turns look smooth and effortless. Walking gives time to untangle your arms after each turn.

3 Have confidence in your lead

The leader (usually the man) should have constant tension in his arms, while his hands guide his Salsa dancing partner around the floor. There is no need to clamp onto each other's hands, only to use the right amount of tension to provide a leading signal.

4 Be flexible when following

In order to follow well, ladies should try to match the tension of their partner. The exception to this is when arms need to be relaxed and flexible to complete arm-twisting Salsa moves without injury!

5 Keep balanced when you spin

The key to all the spectacular spins in Salsa is not to lose your balance. One way to do it is by spotting while you spin - focussing on one spot at each turn - an age-old dance technique.

6 Use your body

In Salsa dancing, ladies should make use of their body and be sensual, playful and creative. This can involve some creative arm movements, going with what feels right and basically showing off a bit. Enjoy!

Emma Lelliott is the general manager of Captivating Cuba, an independent Cuba holiday specialist. With offices in Havana and the UK, Captivating Cuba can offer Cuban Salsa holidays to Havana as well as expert advice on holidays to Varadero and Cayo Coco and lesser known resorts such as Jibacoa and Trinidad.

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Bharatanatyam is a classical dance form that claims its source from Tamil Nadu, South India. Most of the sculptures in Hindu temples are based on Bharata Natyam dance postures known as karanas. In fact, it is the celestial female dancers or apsaras, who are depicted in many scriptures performing this heavenly dance, known on earth as Bharatanatyam. In the most essential sense, a Hindu deity is revered in royal opulence in his temple and offered a standard set of religious services called arotiks, among which are music and dance that are pleasing to the senses. Bharata Natyam as a dance form and carnatic music set to it are deeply grounded in the devotional mood, Bhakti. Bharata Natyam is said to be the embodiment of music in visual form and an offering of devotion.

Bharatanatyam is the manifestation of the ancient idea of the celebration of the eternal universe through the beauty of the material body.

The physical expressions express a poetic meaning known as Abinaya. It means that the emphasis is more on facial expressions than rhythmic movements. Abinaya is divided into four categories:

1. Angikabhinaya

2. Vachikabhinaya

3. Aharyabhinaya

4. Satvikabhinaya

Angikabhinaya : Expressing the meanings of lyrics through the body parts like Head, Hands, Legs etc.

Vachikabhinaya : Expressing the Story via a dance drama

Aharyabhinaya : Imitating the dresses, Jewellery, Make-up etc. in the dance.

Satvikabhinaya: Showing the devotional moods come under Satvikabhinaya.

Lord Shiva is said to be the embodiment of the 4 types of abinaya.

Kathak is a partly narrated dance form based on fast footwork (tatkar), spins (chakkar) and innovative use of the devotional moods in abhinaya. Today it's more of a form that has been practiced in the past by historical narratives, by kathakas or ancient bards, temple performances and the bhakti movement.

Kathak is an important classical dance in the culture of India, and an increasingly world popular theater art form. The word Kathak comes from katha, which means "pastimes-telling". 'Katha kahey so kathak kahaye', which means one who narrates a pastime through a dance form is a Kathak. Long ago, the performers of kathak known as Kathakars narrated stories in temples of North India. The movement of hands, body and facial expressions used by the Kathakars to enrich the narrative, has given birth to Kathak.

Accoring to history, the earliest reference of this art is found in the Mahabharata, the great epic poem spoken about five thousands years ago. At this early stage the art of Kathak was performed by a group of Brahmins in glorification of the lord.

Change in the Bhakti Era

During the period of fervent worship of Radha and Krishna, Kathak was used to narrate pastimes of these two eternal personalities. Popular performances included Sri Krishna's exploits in the holy land of Vrindavan, and pastimes of Krishna's mischiefs as a child.

Victor Epand is an expert consultant for Krishna art, religious gifts from India, and Hare Krishna books. You can find the best marketplace for Krishna art, religious gifts from India, and Hare Krishna books at these sites for Bharatanatyam and kathak art, Bharatanatyam and kathak gifts, and Bharatanatyam and kathak books.

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Unlimited music downloads was a dream to music lovers in the past. Today it has become a reality to us. With so many online music stores, we are able to find songs we love, download them onto our computer or portable media device such as the MP3 player. This article would share with you what are some of the benefits of downloading music online and why it will take over traditional music CD as the largest source of music for the world.

Benefits of Downloading Music Online

1. Convenience of Music Downloads

You can access to unlimited music downloads anywhere you want with an internet connection and media file players such as Windows Media Player, Real One Player, etc. You dont have to hunt for a music store, nor step out of your house to get hold of a CD.

2. Ease and Speed of Downloading Music

Did you know that searching, finding and downloading can be done in double-quick time? In fact, once you have identified the list of songs you wish to download, you can leave your desk, and go for a short break. When you are back, the music downloads would have been complete and they are hot for playing. Forget about having to ransack the music CD store to look for your favorite songs and singer.

3. Choice of Music Downloads

Gone were the days when you are forced to buy a whole CD even if you only like one song inside. With an unlimited music downloads, you have a choice as to what song title you wish to download and listen. There is no need to skip those songs you dont really want to listen to so you can relax and plug in only to your favorites.

4. Compact & Portable

With MP3 media, it is so simple to store your music. Nowadays, the prices of MP3 players such as iPod, iRiver, Creative, etc have become affordable even for those models with huge disk capacity. Remember those days when we have to carry large CD cases whenever we travel around, and those clumsy moments of switching from one CD to another? A matchbox size MP3 player can easily store a few hundred songs.

There is one beauty about unlimited music downloads that must be mentioned here. You no longer have to go through the tedious process of ripping songs from CDs and burning them either to a CD or transferring them to your MP3 player. Everything at the music downloads site is a simple zip and go. Music lovers who are keen on laying their hands on a lifetime access of unlimited music downloads, drop by and read more at my blog.

This article may be freely reprinted or distributed in its entirety in any ezine, newsletter, blog or website. The author's name, bio and website links must remain intact and be included with every reproduction.

Davion is a successful webmaster and author. Learn where you can have instant access to unlimited music downloads - all your favorite hits, latest music videos, MP3s and more at unlimited-music-downloads.blogspot.com.

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Encanto

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66




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I once had a teacher who described it as "technically dishonest" to use or feel the music in any way in order to perform a step better.

You mean we should have been able to train with someone just hitting a pencil on a pot lid to keep us working together? Or have a metronome clicking in the studio?

This same teacher made sure that her pianist played a battement tendu type of music for jumps - a little plonky, a little pedestrian (though there were pianists who, luckily, could not play without feeling). It seemed that inspiration was a way to cheat.

There are dancers who will catch your eye in class, even when they are not the best technical student, and are not among the most physically gifted ones. Their musicality is more than being on the music. Some people describe it as being "in" the music, or inside the music.

In performance, there is an element of phrasing. A soloist or principal dancer can adapt the timing of virtuoso sections in the ballet, to their individual technical highlights or qualities. Some dancers will work this out in rehearsal, and do it exactly the same every time.

And yet, in the less definable area of timing, there is poetry, there is a quality that isn't just good phrasing, that reaches a soulful level. The dancer, the music, the drama, the audience, are all in the same stream.

Such a quality does not require narrative drama to be visible, or tangible. It can occur in abstract choreography as well. It is not just that an experienced performer can "let go". Musicality can be apparent during ballet class when a performer or student is working hard.

Sometimes musicality can be invoked in students as they train. Movement imagery and mental tricks work. For example, giving an allegro exercise in a waltz, and saying "just stay in the air for two/three and land on 1" will bring out a better height and quality of jump. It will not be exactly staying in the air for two beats and landing on the first beat, but it will cause a dance student to reach for that timing and their work gains a quality.

Hearing the "and" between the beats of music is a technical necessity for petit allegro, for battus. But when there are several "ands" in between the beats - where do you choose to put the movement emphasis?

Musicality makes it easier. Of course practice makes it easier, but musicality makes it delicious for those watching, because some can feel what their eyes see and their ears hear, even without drama or emotion.

If you love watching ballet, you know what I mean. If you are extremely musical you may not know what I mean or why I would write about musicality in ballet class. You would ask "doesn't everyone do it like that?"

Dianne M. Buxton trained at The National Ballet School of Canada, The Martha Graham School of Contemporary Dance and Toronto Dance Theater. Click here for free articles on how to get exactly the right fit in ballet shoes and pointe shoes, The Perfect Pointe Book, The Ballet Bible, details about ballet technique, dance books, and full body workouts.

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Cmj New Music Sampler Issue 119

1. THE MARS VOLTA - TELEVATORS 2. BRITISH SEA POWER - REMEMBER ME 3. THE DARKNESS - I BELIEVE IN A THING CALLED LOVE 4. THE GO - AMERICAN PIG 5. THE FIERY FURNACES - TROPICAL ICELAND 6. SLY AND THE REVOLUTIONAIRES - WHITE RUM 7. THE TWILIGHT SINGERS - FAT CITY 8. AL GREEN - I CAN'T STOP 9. ADAM GREEN - JESSICA 10. COLDPLAY - GOD PUT A SMILE UPON YOUR FACE 1. THE MAGNETIC FIELDS - ALL I WANT TO KNOW 12. KELLEY STOLTZ - UNDERWATER'S WHERE THE ACTION IS 13. BOYS NIGHT OUT - I GOT PUNCHED IN THE NOSE FOR STICKING MY FACE IN OTHER PEOPLE'S BUSINESS 14. JACK JOHNSON AND G LOVE - RAINBOX 15. BOB MARLEY AND THE WAILERS - AFRICAN HERBSMAN 16. THRICE - TO AWAKE AND AVENGE THE DEAD 17. ARMSBENDBACK - PRIMERA


Gigging is probably one of the most enjoyable activities a musician can experience. There is always something special about performing in front of a live audience. The sound of a crowds appreciation when you have just ripped up the stage with a great performance of your best tunes. There is just nothing like it. But what happens when things dont go exactly as planed? And what happens when things fail miserably? If you have ever gigged I am sure you are familiar with Murphy law: If things can go wrong, they probably will. I have had experiences like: amps blowing up, guitar strings breaking, stolen fuses in my amp, bad cords, out of tune guitars, ect... These things happen to all bands and what makes the difference between a professional and an amateur is how you deal with these problems. You need to do some preplanning and put together a a Musicians First Aid Kit. When a problem does occur, you will be prepared to quickly fix the problem and get on with your show.

Guitar/Bass Strings

Get at least one extra set for each guitar or bass you have at the gig. If you pop a string you will be prepared to replace it. Remember this golden rule for guitars and basses: Never step on stage without a properly tuned backup guitar or bass. If you have any problems with your main ax all you have to do is pick up your backup and fix the problem on your next break.

Cords

Get a complete second set of cords. This includes patch cords and mike cables.

Batteries

Go through all of your gear and make a note of all of the batteries you use. Get backups for everything and make sure the backups dont sit and go dead before you replace them. Consider some type of preventative maintenance schedule so you can keep track how long batteries are in use and when they need replacement. Dont forget about the guitar tuner!

Fuses

Again go through all of your gear and make a note of all the proper sizes of your fuses. Get some type of small segregated box and label the top with the current ratings for the fuses (1A, 5A ect...). Never put a fuse that has a higher current rating in your amp or gear. There is a reason the manufacture put that size fuse in your system. Never, Never wrap a fuse with tin foil to bypass it! If your fuses keeps blowing, you have a short in this gear and by putting a larger fuse or bypassing it all together you may completely blow it up which will will cost you plenty to repair. Also I should mention that by bypassing your fuse you run the risk of electrocuting yourself! Never under any circumstanceses bypass your fuses!

Drummers

Get a spare snare drum. If your snares let go just replace the whole drum with the spare and repair your main snare at break. Bring many extra sticks. I played with a drummer once that didnt bring enough sticks to a gig one night. He had to play the last half of our set with a screwdriver! Needless to say he had to replace all of his drum heads after this gig! Bring some spare hardware and also get another kick drum pedal. Some spare drum heads are always a good idea and make sure to bring a set of tools.

Keyboard Players

What would happen if your main synth went out? Maybe you could program your second synth with similar sounds. I know it wont be perfect but it will get you through the gig.

Singers

Do you have a spare mic? If not you should pick one up. I recommend a Sure 58. They are not very expensive and are reliable for a great backup if not a main mic.

Horn Players

Since I dont play horns I cant comment too much however I can recommend that you think about what could go wrong with your instrument. What could you do if it failed during a gig? Again a backup might be a good idea.

Amps

If you use an amp in your performance and it fails what could you do? A small spare is a good idea. Guitar players can use a guitar processor as a backup amp and it can be plugged directly into the PA. Again I know this wont sound perfect but it will get you through the gig. Bass players have it easy if their amps go out. Plug directly into the PA. If you play bass you may want to consider buying a direct box specifically for that purpose. Same goes for keyboard players, plug directly into the PA with a DI box

All Bands

Always have plenty of duct tape! This stuff can get you out of some major jams!

I have not covered everything that can go wrong with your gear at a show but hopefully this will spark some ideas of the things that you can do if your gear fails. Put together your Musicians First Aid Kit in some sort of tool box or fishing tackle box. If you are prepared when things go wrong at your gigs (and believe me they will) it is no big deal. If you are not prepared you will look like an amateur and remember you never know who is out in the audience watching. Good luck and happy gigging!

Steve Veloudos is the owner of http://www.zebramusic.com

Steve is devoted to helping musicians and bands further their careers in the music industry. Stop by his web site and subscribe to the free Musicians Tip Sheet. The Tip Sheet includes industry contacts, and many other items designed to advance a musicians musical career. Subscribe to the newsletter by going to: http://www.zebramusic.com

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Quartier Latin 11"x17" Poster

This 11"x17" poster is from "Quartier Latin" (1939)


Whether you are looking for information on how to start up a FM radio station that operates on a low power FM basis, operates on a full power frequency or alternatively streams on the internet, it is essential to first establish what the options available to you are. It is also important to understand the process for obtaining a frequency, what the licensing requirements are, and also what type of FM broadcasting equipment and studio gear you will need to run the radio station.

The following is a brief outline of some of the options that may be available. Please that not all options may be available in all countries, as license conditions do vary.

When it comes to how to start up a FM radio station, one of the options is low power FM. This type of radio station operates at lesser power than commercial stations and so they cover a smaller area. The exact area they will cover is dependent on terrain and the exact amount of power you are permitted. Again depending on the country you live in, the low power FM service may enable you to broadcast anywhere near from 500mW to 100W, and may be license-free or alternatively it may be licensed. This level of power is sufficient to cover anywhere between a radius of a few kilometres to several kilometres.

Another option is operating a full power licensed radio station. This type of frequency will give station maximum coverage and will enable you to reach as many listeners as possible. Depending on the country you live in, there can frequently be provisions to operate on a full power frequency, but either on a commercial, non-commercial or educational basis. However, operating a full power FM radio station can be a somewhat complicated process - especially during the initial stages of determining whether there are frequencies available in your area and also costing the equipment that is needed. If you want to start up a full power FM radio station, then it is essential to get expert guidance at the earliest stage. This will ensure you get the information you need to make an informed decision.

If these options don't appeal or are not available in your area, you have one other method for how to start up a FM radio station. You are able to establish a station that streams on the internet. It will be available to a worldwide audience and can stream in your choice of format. Common formats include Winamp and Windows Media Player, although generally we recommend the latter as most people won't need to download any additional software to listen to your station. This type of radio station can use a great deal of bandwidth, so it is important to have a fast speed internet connection with a high data cap limit.

When it comes to choosing the type of station you will set up, one of the most common constraints is budget. That said, it has been proven that a station can start out on a low power FM basis and successfully make the transition to operating a full power licensed commercial FM radio station. Some of the points to consider when looking how to start up a FM radio station include:

- The process for obtaining an FM frequency and what to look out for

How many Watts you will need to achieve the broadcast coverage you want

What your obligations will be when it comes to music royalties

- What specialist services you need before to assist you in submitting your application for a frequency

What is the most appropriate powered transmitter and what type of antenna would be needed

The type of radio automation software that will be used

For further information on how to start up a FM radio station please visit http://www.themulcher.com or email radio@themulcher.com

The Mulcher FM has over 5 years experience helping set up over a dozen low power FM and commercial FM radio stations across New Zealand and the Pacific Islands, as well as advising on countless other installations in the US, UK and other parts of the world...

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