Saturday, August 30, 2008

From Dance Floor to Recording Studio, the Debut Album by Julianne Hough

Two-time professional champion of ABC's hit television show "Dancing With The Stars," Julianne Hough has recently begun focusing on yet another talent - singing.

On May 20, Hough released her self-titled debut album of country music. In the spirit of something her most infamous critics Carrie Anne, Len and Bruno (the judges from the show that made her famous) might say, Hough's debut is very good but there is always some room for improvement.

The best track on the album is probably the first single, "That Song In My Head," which has all the qualities of a fun and catchy tune. Two other songs that really seem to stand out are "My Hallelujah Song" and "About Life" for their sweet vocals and notable themes respectively.

The majority of the tracks fall into what a typical music fan might consider the average to slightly above average category. But, the songs "You, You, You" and "Jimmy Ray McGee" are two examples works that seem either overdone or lacking originality and show the existence of the aforementioned "room for improvement".

Overall, Hough's is something of a breath of fresh air. In an industry that glorifies promiscuity and materialism, she is a complete change of pace. Her debut album gives the music world a refreshing taste of a wholesome and classic country style. And, if she keeps working at it, she could make quite a name for herself as a musician similar to how she has already done so with her skills on the dance floor.

I'd recommend this record to anyone who is more than just a casual country music fan with a passing interest.

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Take Advantage Of The Economic Downturn - To Become Your Own Boss!

It is that phase in the economic cycle when people do a reality check. Uncertainty looms ahead, and managements drive themselves crazy figuring out where the next big check is going to come from to keep the wheels of the organization running. Cowering in our own cubicle or workbench, we never know when they will hand us our proverbial pink slip and bid us goodbye.

There are two alternatives to handle this economic condition. The first is the tried and tested. Dignity in one pocket and resume in the other, we knock at the doors of the other companies whose outward facade conveys an impression of everything being hunky-dory inside. And get rejected by the people who aren't sure when they themselves will get the boot.

Let us consider this alternative from a different angle. When we were born, we used to be cleaned and washed, fed and clothed and generally taken care of. We used to look up to somebody to do all that for us. Haven't we continued with the same pattern, of looking up to somebody, of expecting a job to become available that we can perform, which will feed us and clothe us and generally fulfill our material needs? Isn't it time we grew up?

As kids, we were given an extra dollop of ice-cream for being good. Remember the visits of the Santa Claus every year? Now we expect somebody to pat our ego and nurse our pride with lofty-sounding designations and nifty little perks - the corner office, that special parking space, the vacation with the family, the topped-up bonus and that ESOP handout, the promotion that gives us the opportunity to look down upon people who once were peers, thank you. And when these goodies are not forthcoming, we sulk and we pout and we go look for another Santa Claus. Tell me really, have we grown up at all?

And so let us see what the second alternative looks like. Here it is!

Which is to use the season of doom and economic gloom to go inward and realize that this actually is an opportunity to get out of the rat race once and for all and do our own thing. Set up our own shop. Be our own boss. Hoist our own flag. I am running out of symbolism, but you get the idea.

Returning again to the kid analogy, remember the things that we enjoyed doing when we were young and not yet entered the rat race, the things that thrilled us the most? When we did what we did because we liked doing what we were doing, and not because we had to do what we ended up doing because that was what the boss wanted us to do. Or else. There is money to be made, you know, in doing things that we enjoy and are passionate about. It is only a question of figuring out how. Let me also tell you, that the figuring out how happens only during times of economic recession, and not when the going is good and everybody is smiling and doing the rumba.

"Realize your own potential" becomes a cliche when the HR boys and girls use it while dangling the golden cage before us. It becomes a mantra when we use it to really understand how far we can go when we are on our own. Have we forgotten life outside the cage? Have we forgotten - or worse, never ever known? - what it means to be free and to do our own thing? To set our own goals, to make our own targets, and to soar as high as our wings and our ambitions can take us?

Or have we become rather addicted to our inner child's needs being taken care of by that neatly-suited-booted HR manager and his / her team of cohorts and headhunters and detectives, spying on every move we make outside the office and trying to figure out what must be going on in our mind, so that we can be, uh, appropriately manipulated?

Or have we rather come to enjoy the performance reviews where the senior takes malicious pleasure in nitpicking the omissions and commissions that we may or may not have indulged in throughout the year? Like the stern teacher handing over the grades in class. The armpits used to sweat the same way then too, didn't they?

Or have we rather come to relish the politics and the backbiting and the gossip and the bitching in the office and the workplace? The latest news about this affair and that, the latest news on who is in favor and who has fallen out of favor, the devil who is badmouthing about us behind the back ... oh, won't we miss them all?

Let's step out of the world we have immersed ourselves in and become comfortable in. And step into the world of freedom. Let's find the vocation that we enjoy the most. Let's learn the right skills that are needed to survive and thrive in the market. And take the plunge with faith and belief in self. Success and prosperity are waiting to be ours, if only we reach out for them. Let us be brave for a change. Let's reach out! Now!

Sanjay Agrawal is a writer and self-development enthusiast. Enjoyed reading this piece? Find more on his blog here: http://success-nirvana.blogspot.com

Copyright 2008. All Rights Reserved Worldwide. Reprint Rights: You may reprint this article as long as you leave all of the links active, do not edit the article in any way, and give author name and blog name credit.

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... to describe the music emerging in the Latin clubs of New York , San Juan, and Los ... Salsa: The Rhythm of Latin Music . Crown Point, Ind.: White Cliffs, 1989. ...
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Latin music awakens our senses with its upbeat and romantic dance rhythms. ... The Pachanga dance craze took off like wildfire in New York City. ...
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Do You Wish You Knew How to Sing Better?

Do you want to learn how to sing or just how to sing better? You may not be aware of it but its likely a case of learning how to sing better for most of us. Its not that absolutely everyone can sing, but most of us can if we take a sensible approach to trying.

There is a wealth of information available on the internet offering lessons and scales and claiming to reveal the Five least known Singing Secrets. Well heres something to ponder, there are no secrets. The ability to be a good singer is nothing more than learning how to listen to yourself, being able to correct you pitch if its off, breathing for a continuous supply of breath, and muscle control in your throat and body to produce the best tones, not to mention, tons of practice. Proper practice that is, not practicing mistakes.

Singing lessons will certainly help guide you to being able to recognize how all of these things go together but the reality is that you can quite likely do it yourself with only a little help.

Have you ever seen advertising that claims you can increase your range by an octave? That to me is a very big claim. Personally I would have to see it to believe it. Im not saying that its impossible but its not as possible as some would have you believe. The only real way to increase your range is to practice properly, without hurting yourself, and building your range up over a period of time. Thats the only way to do it safely and still keep a rich tone about your voice. My sense is that anything else would be falsetto singing and in my world, theres no real room for that.

This practice is where scales and such come in handy. You sing ascending scales and descending scales in a variety of phonetic phrases. Its a controlled environment and you can make improvements in your range for sure, but it will take time if you do it properly. Naturally the more you practice, the greater your improvement.

You may need to consider that range is not the be all and end all of being a great singer. When you listen to your favorite songs it becomes apparent that at least most of the song stick to a certain range and doesnt go too much higher or lower than that. Most of those notes are quite reachable by the average human so dont kill yourself trying to do something super-human when it comes to increasing range.

Instead of range, worry about pitch. It really doesnt matter how high or low you can sing if you cant hit the right notes in between. Stick to the easy stuff you know you can do and work up from there. Use your ears. If you sound like youre off, correct it and dont be shy about it. Youll be surprised at how quickly you stop singing wrong notes. Your ears are the greatest aid you have to being a great singer, you should learn how to use them first, then decide if you need lessons.

Ian Kurz is a singer/guitarist that has been performing for many years. He has played in front of thousands of people and has performed as an opening act for various recording artists. He uses the principles of singing found at http://www.discoveryoucansing.com

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Beginning Pointe Class: What to Expect

Although every teacher is different, the goals of the introductory pointe class are similar no matter where you dance. These goals include strengthening the feet and ankles, breaking in the pointe shoes, and learning proper execution of skills while wearing pointe shoes.

To strengthen the feet, your teacher may instruct in a variety of methods including demi-pointe work, exercises for the feet and ankles, and basic releves at the barre. Instruction may also be given for additional work that can be done outside of class to help you gain strength and skill.

Breaking in pointe shoes is simply the wording used to describe taking the shoe from its initial factory condition to where it is conformed to the shape of your foot. This may include some work with your shoe in hand softening hard spots and bending the shank. I highly suggest waiting for a teachers instruction before bending, softening, or attempting to break in the shoes. Doing so on your own may permanently damage or improperly break in the shoes.

In addition to manually softening the shoes, your feet will serve as your greatest break in tool. Simply doing releves will do much to help the shoes mould to your feet. Again, be careful about doing too much outside of your teachers watchful eye. Doing steps incorrectly in pointe shoes may cause the shoes to break in improperly or lead to an injury.

Lastly, a basic pointe class will include barre work and eventually center work doing the steps you already know. Plies, releves, tendus, jetes, and other basic technical steps will help you learn placement, understand positioning, and gain strength as you develop your pointe skills.

In an introductory pointe class, you may find yourself spending only a few minutes actually dancing in the shoes. Do not be alarmed. It takes dedication and time over the course of many months and years to develop a strong pointe technique. You will gain strength, increase grace, and expand your dancing horizons as you begin pointe. There will be blisters, frustration, and pain, but the beauty of the dance will always make it worthwhile!

Jenny Pemberton is a dance teacher and owner of Dance to You, Inc. an online dancewear discount retail shop. She has a passion for the arts and enjoys passing along her love of dance to future generations.

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Sales Plan? What's a Sales Plan?

In the past, if you said the word plan to me, I would bolt and run. Im the creative type, a former ballet dancer and choreographerIm terrible with details. When I was dancing professionally, all the details were taken care of; all I had to do was show up and dance. Even when I was choreographing, as long as I met my deadline for when the dance needed to be complete, I could go with the moment, go with the impulse and see where the dance led.

A hearty dose of reality hit when I began to run a dance company. All of a sudden, I had peopleemployees, volunteers and dancerswaiting. I had to know where we were going and how we were going to get there. It was a different world. Every decision had impact down the line. If we were going to have a spring season, I needed to know what we would be performing and where wed be performing it. How many dancers would I need? What about costumes? Were we going to commission music? What would it cost? How would we pay for it all?

It took a long time for me to grasp the impact of having a plan. Because I was running a small, grass roots organization, there never seemed to be enough time, people, money or resources. I was always putting out fires. Every plan I developed changed the moment I keyed in the last sentence and printed it out. Planwho has time to plan? Especially when the plan keeps changing!

Over time, I began to see the planning process as a road map. You know your ultimate goal. You figure out the best way to get there. Your plan needs to include contingencies and have enough space that you can deal with fires and still move forward. And sometimes, the plan changes; it might need some adjustment or tweaking. As long as the goal remains the same and as long as you keep taking steps forward to achieve that goal, your plan will help you get there.

In sales, your goal is revenue-driven. How much money do you want to make? Or a better question: How much profit do you want to make? Then, how are you going to achieve that?

Your basic plan should start with a dollar amount and work backwards. If, for example, you want to gross $500,000 in sales this year, on average, how many sales would that be? What is your average sale? On average, how many prospects do you have to see or speak with to close one sale? So, how many prospects would you need to see or speak with to close the number of sales you would need to reach your goal of $500,000? What steps do you need to take to see or speak with that many prospects?

Wow! What a mouthful! Here is a mathematical formula:

First:

Value of average sale =______________

How many prospects to close one sales: _______________

Then:

Gross sales average sale = total number of sales needed

Number of prospects to close one sale x total number of sales needed = total number of prospects

(This formula is from a dancer who counts up to 8 and starts over again! If I can do ityou can do it!)

2004 Wendy Weiss

Wendy Weiss, The Queen of Cold Calling & Selling Success, is a sales trainer, author and sales coach. Her new program, Cold Calling College, can be ordered by calling: (866) 405-8212. Contact her at wendy@wendyweiss.com. Get her free e-zine at http://www.wendyweiss.com.

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Rumba in New Zealand

Origin:

Rumba has two origins: Spanish as well as African. Rumba was first danced by African slaves as early as the 16th century. The Rumba folk dance had sexual connotations with the male having a sexually agressive attitude and the female having a deffensive attitude. It gaining popularity in Latin America in the 1920s.

Music:

Like Salsa, Rumba music is played in 4/4 but the music is much slower at just over 100 bpm. Traditionally, Rumba is danced on the second beat with a pause on the first beat although American style Rumba is danced on the first beat. The forth beat is usually accentuated.

Dance:

Rumba is primarily a sex pantomime. The hip movements are quite exaggerated, especially for the men. The men have a sexually agressive attitude in the dance and the women have a sexually deffensive attitude. The women usually dance with a hankerchief in their hands which is waved in front of the body enticing the men, but when the men react the women quickly "cover up". Traditionally, the men "attack" with their hips by getting very close to the women, but some variations allow men to "attack" with other parts and from a distance!

Latinos NZ Popularity Scale: 3/10

Rumba is not a very popular dance in New Zealand's Latin clubs, primarily because Kiwis are fairly reserved on the dance floor. But, as more and more dancers learn the dance it is definitely becoming more popular!

Rumba is the dance of love and sex. So, don't be scared to have some fun!

Article taken from Latinos.co.nz (http://www.latinos.co.nz)

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