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Greek Salsa Festival, 03-05 October 2008 at Club Hotel Loutraki
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Reports & Essays > Arts/ Music - Salsa
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Sunday, August 31, 2008
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Saturday, August 30, 2008
From Dance Floor to Recording Studio, the Debut Album by Julianne Hough
Two-time professional champion of ABC's hit television show "Dancing With The Stars," Julianne Hough has recently begun focusing on yet another talent - singing.
On May 20, Hough released her self-titled debut album of country music. In the spirit of something her most infamous critics Carrie Anne, Len and Bruno (the judges from the show that made her famous) might say, Hough's debut is very good but there is always some room for improvement.
The best track on the album is probably the first single, "That Song In My Head," which has all the qualities of a fun and catchy tune. Two other songs that really seem to stand out are "My Hallelujah Song" and "About Life" for their sweet vocals and notable themes respectively.
The majority of the tracks fall into what a typical music fan might consider the average to slightly above average category. But, the songs "You, You, You" and "Jimmy Ray McGee" are two examples works that seem either overdone or lacking originality and show the existence of the aforementioned "room for improvement".
Overall, Hough's is something of a breath of fresh air. In an industry that glorifies promiscuity and materialism, she is a complete change of pace. Her debut album gives the music world a refreshing taste of a wholesome and classic country style. And, if she keeps working at it, she could make quite a name for herself as a musician similar to how she has already done so with her skills on the dance floor.
I'd recommend this record to anyone who is more than just a casual country music fan with a passing interest.
80's dance musicTake Advantage Of The Economic Downturn - To Become Your Own Boss!
It is that phase in the economic cycle when people do a reality check. Uncertainty looms ahead, and managements drive themselves crazy figuring out where the next big check is going to come from to keep the wheels of the organization running. Cowering in our own cubicle or workbench, we never know when they will hand us our proverbial pink slip and bid us goodbye.
There are two alternatives to handle this economic condition. The first is the tried and tested. Dignity in one pocket and resume in the other, we knock at the doors of the other companies whose outward facade conveys an impression of everything being hunky-dory inside. And get rejected by the people who aren't sure when they themselves will get the boot.
Let us consider this alternative from a different angle. When we were born, we used to be cleaned and washed, fed and clothed and generally taken care of. We used to look up to somebody to do all that for us. Haven't we continued with the same pattern, of looking up to somebody, of expecting a job to become available that we can perform, which will feed us and clothe us and generally fulfill our material needs? Isn't it time we grew up?
As kids, we were given an extra dollop of ice-cream for being good. Remember the visits of the Santa Claus every year? Now we expect somebody to pat our ego and nurse our pride with lofty-sounding designations and nifty little perks - the corner office, that special parking space, the vacation with the family, the topped-up bonus and that ESOP handout, the promotion that gives us the opportunity to look down upon people who once were peers, thank you. And when these goodies are not forthcoming, we sulk and we pout and we go look for another Santa Claus. Tell me really, have we grown up at all?
And so let us see what the second alternative looks like. Here it is!
Which is to use the season of doom and economic gloom to go inward and realize that this actually is an opportunity to get out of the rat race once and for all and do our own thing. Set up our own shop. Be our own boss. Hoist our own flag. I am running out of symbolism, but you get the idea.
Returning again to the kid analogy, remember the things that we enjoyed doing when we were young and not yet entered the rat race, the things that thrilled us the most? When we did what we did because we liked doing what we were doing, and not because we had to do what we ended up doing because that was what the boss wanted us to do. Or else. There is money to be made, you know, in doing things that we enjoy and are passionate about. It is only a question of figuring out how. Let me also tell you, that the figuring out how happens only during times of economic recession, and not when the going is good and everybody is smiling and doing the rumba.
"Realize your own potential" becomes a cliche when the HR boys and girls use it while dangling the golden cage before us. It becomes a mantra when we use it to really understand how far we can go when we are on our own. Have we forgotten life outside the cage? Have we forgotten - or worse, never ever known? - what it means to be free and to do our own thing? To set our own goals, to make our own targets, and to soar as high as our wings and our ambitions can take us?
Or have we become rather addicted to our inner child's needs being taken care of by that neatly-suited-booted HR manager and his / her team of cohorts and headhunters and detectives, spying on every move we make outside the office and trying to figure out what must be going on in our mind, so that we can be, uh, appropriately manipulated?
Or have we rather come to enjoy the performance reviews where the senior takes malicious pleasure in nitpicking the omissions and commissions that we may or may not have indulged in throughout the year? Like the stern teacher handing over the grades in class. The armpits used to sweat the same way then too, didn't they?
Or have we rather come to relish the politics and the backbiting and the gossip and the bitching in the office and the workplace? The latest news about this affair and that, the latest news on who is in favor and who has fallen out of favor, the devil who is badmouthing about us behind the back ... oh, won't we miss them all?
Let's step out of the world we have immersed ourselves in and become comfortable in. And step into the world of freedom. Let's find the vocation that we enjoy the most. Let's learn the right skills that are needed to survive and thrive in the market. And take the plunge with faith and belief in self. Success and prosperity are waiting to be ours, if only we reach out for them. Let us be brave for a change. Let's reach out! Now!
Sanjay Agrawal is a writer and self-development enthusiast. Enjoyed reading this piece? Find more on his blog here: http://success-nirvana.blogspot.com
Copyright 2008. All Rights Reserved Worldwide. Reprint Rights: You may reprint this article as long as you leave all of the links active, do not edit the article in any way, and give author name and blog name credit.
best salsa musiclatin music ny
Columbia College Chicago : Salsa
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NYC to Host 7th Annual Latin Grammys
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Latin Music Rhythms
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Latin Music - Latin Music , spanish music , salsa, salsa dancing
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Do You Wish You Knew How to Sing Better?
Do you want to learn how to sing or just how to sing better? You may not be aware of it but its likely a case of learning how to sing better for most of us. Its not that absolutely everyone can sing, but most of us can if we take a sensible approach to trying.
There is a wealth of information available on the internet offering lessons and scales and claiming to reveal the Five least known Singing Secrets. Well heres something to ponder, there are no secrets. The ability to be a good singer is nothing more than learning how to listen to yourself, being able to correct you pitch if its off, breathing for a continuous supply of breath, and muscle control in your throat and body to produce the best tones, not to mention, tons of practice. Proper practice that is, not practicing mistakes.
Singing lessons will certainly help guide you to being able to recognize how all of these things go together but the reality is that you can quite likely do it yourself with only a little help.
Have you ever seen advertising that claims you can increase your range by an octave? That to me is a very big claim. Personally I would have to see it to believe it. Im not saying that its impossible but its not as possible as some would have you believe. The only real way to increase your range is to practice properly, without hurting yourself, and building your range up over a period of time. Thats the only way to do it safely and still keep a rich tone about your voice. My sense is that anything else would be falsetto singing and in my world, theres no real room for that.
This practice is where scales and such come in handy. You sing ascending scales and descending scales in a variety of phonetic phrases. Its a controlled environment and you can make improvements in your range for sure, but it will take time if you do it properly. Naturally the more you practice, the greater your improvement.
You may need to consider that range is not the be all and end all of being a great singer. When you listen to your favorite songs it becomes apparent that at least most of the song stick to a certain range and doesnt go too much higher or lower than that. Most of those notes are quite reachable by the average human so dont kill yourself trying to do something super-human when it comes to increasing range.
Instead of range, worry about pitch. It really doesnt matter how high or low you can sing if you cant hit the right notes in between. Stick to the easy stuff you know you can do and work up from there. Use your ears. If you sound like youre off, correct it and dont be shy about it. Youll be surprised at how quickly you stop singing wrong notes. Your ears are the greatest aid you have to being a great singer, you should learn how to use them first, then decide if you need lessons.
Ian Kurz is a singer/guitarist that has been performing for many years. He has played in front of thousands of people and has performed as an opening act for various recording artists. He uses the principles of singing found at http://www.discoveryoucansing.com
latin music videoBeginning Pointe Class: What to Expect
Although every teacher is different, the goals of the introductory pointe class are similar no matter where you dance. These goals include strengthening the feet and ankles, breaking in the pointe shoes, and learning proper execution of skills while wearing pointe shoes.
To strengthen the feet, your teacher may instruct in a variety of methods including demi-pointe work, exercises for the feet and ankles, and basic releves at the barre. Instruction may also be given for additional work that can be done outside of class to help you gain strength and skill.
Breaking in pointe shoes is simply the wording used to describe taking the shoe from its initial factory condition to where it is conformed to the shape of your foot. This may include some work with your shoe in hand softening hard spots and bending the shank. I highly suggest waiting for a teachers instruction before bending, softening, or attempting to break in the shoes. Doing so on your own may permanently damage or improperly break in the shoes.
In addition to manually softening the shoes, your feet will serve as your greatest break in tool. Simply doing releves will do much to help the shoes mould to your feet. Again, be careful about doing too much outside of your teachers watchful eye. Doing steps incorrectly in pointe shoes may cause the shoes to break in improperly or lead to an injury.
Lastly, a basic pointe class will include barre work and eventually center work doing the steps you already know. Plies, releves, tendus, jetes, and other basic technical steps will help you learn placement, understand positioning, and gain strength as you develop your pointe skills.
In an introductory pointe class, you may find yourself spending only a few minutes actually dancing in the shoes. Do not be alarmed. It takes dedication and time over the course of many months and years to develop a strong pointe technique. You will gain strength, increase grace, and expand your dancing horizons as you begin pointe. There will be blisters, frustration, and pain, but the beauty of the dance will always make it worthwhile!
Jenny Pemberton is a dance teacher and owner of Dance to You, Inc. an online dancewear discount retail shop. She has a passion for the arts and enjoys passing along her love of dance to future generations.
90's dance musicSales Plan? What's a Sales Plan?
In the past, if you said the word plan to me, I would bolt and run. Im the creative type, a former ballet dancer and choreographerIm terrible with details. When I was dancing professionally, all the details were taken care of; all I had to do was show up and dance. Even when I was choreographing, as long as I met my deadline for when the dance needed to be complete, I could go with the moment, go with the impulse and see where the dance led.
A hearty dose of reality hit when I began to run a dance company. All of a sudden, I had peopleemployees, volunteers and dancerswaiting. I had to know where we were going and how we were going to get there. It was a different world. Every decision had impact down the line. If we were going to have a spring season, I needed to know what we would be performing and where wed be performing it. How many dancers would I need? What about costumes? Were we going to commission music? What would it cost? How would we pay for it all?
It took a long time for me to grasp the impact of having a plan. Because I was running a small, grass roots organization, there never seemed to be enough time, people, money or resources. I was always putting out fires. Every plan I developed changed the moment I keyed in the last sentence and printed it out. Planwho has time to plan? Especially when the plan keeps changing!
Over time, I began to see the planning process as a road map. You know your ultimate goal. You figure out the best way to get there. Your plan needs to include contingencies and have enough space that you can deal with fires and still move forward. And sometimes, the plan changes; it might need some adjustment or tweaking. As long as the goal remains the same and as long as you keep taking steps forward to achieve that goal, your plan will help you get there.
In sales, your goal is revenue-driven. How much money do you want to make? Or a better question: How much profit do you want to make? Then, how are you going to achieve that?
Your basic plan should start with a dollar amount and work backwards. If, for example, you want to gross $500,000 in sales this year, on average, how many sales would that be? What is your average sale? On average, how many prospects do you have to see or speak with to close one sale? So, how many prospects would you need to see or speak with to close the number of sales you would need to reach your goal of $500,000? What steps do you need to take to see or speak with that many prospects?
Wow! What a mouthful! Here is a mathematical formula:
First:
Value of average sale =______________
How many prospects to close one sales: _______________
Then:
Gross sales average sale = total number of sales needed
Number of prospects to close one sale x total number of sales needed = total number of prospects
(This formula is from a dancer who counts up to 8 and starts over again! If I can do ityou can do it!)
2004 Wendy Weiss
Wendy Weiss, The Queen of Cold Calling & Selling Success, is a sales trainer, author and sales coach. Her new program, Cold Calling College, can be ordered by calling: (866) 405-8212. Contact her at wendy@wendyweiss.com. Get her free e-zine at http://www.wendyweiss.com.
dj latin musicRumba in New Zealand
Origin:
Rumba has two origins: Spanish as well as African. Rumba was first danced by African slaves as early as the 16th century. The Rumba folk dance had sexual connotations with the male having a sexually agressive attitude and the female having a deffensive attitude. It gaining popularity in Latin America in the 1920s.
Music:
Like Salsa, Rumba music is played in 4/4 but the music is much slower at just over 100 bpm. Traditionally, Rumba is danced on the second beat with a pause on the first beat although American style Rumba is danced on the first beat. The forth beat is usually accentuated.
Dance:
Rumba is primarily a sex pantomime. The hip movements are quite exaggerated, especially for the men. The men have a sexually agressive attitude in the dance and the women have a sexually deffensive attitude. The women usually dance with a hankerchief in their hands which is waved in front of the body enticing the men, but when the men react the women quickly "cover up". Traditionally, the men "attack" with their hips by getting very close to the women, but some variations allow men to "attack" with other parts and from a distance!
Latinos NZ Popularity Scale: 3/10
Rumba is not a very popular dance in New Zealand's Latin clubs, primarily because Kiwis are fairly reserved on the dance floor. But, as more and more dancers learn the dance it is definitely becoming more popular!
Rumba is the dance of love and sex. So, don't be scared to have some fun!
Article taken from Latinos.co.nz (http://www.latinos.co.nz)
latin music artistsFriday, August 29, 2008
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The Concert Legends
"Without music, life would be a mistake" is a famous old saying. However, without the great musicians there is no great music. Those who are really interested in live concerts would have come across the names Tom Petty, Kanye West, Kenny Chesney, and Jimmy Buffett. They are the real music legends. Spare a little time to reading on, to know more about these legends.
Tom Petty & the Heartbreakers
Tom Petty will be familiar as a singer, song writer, and a guitarist to those who love heartland rock music. The songs like "Don't Do Me Like That", "Refugee", "Runnin' Down a Dream", "The Waiting", "Don't Come Around Here No More", "I Won't Back Down", "Free Fallin'", "Mary Jane's Last Dance", "American Girl", "Learning to Fly" and "You Don't Know How It Feels", are heavily played hit singles by Tom Petty which act as medicines for broken hearts. Born and raised in Gainesville, Florida, USA, Tom was very much interested in rock and roll music early at the age of 11 when he met Elvis Presley. He began his recording career with Tom Petty & the Heartbreakers, the band's 1976 debut album, which was initially unpopular in the United States. Their second album, You're Gonna Get It! marked the band's first Top 40 album.
Kanye West
Kanye West, who is one of the great American rap artists and a hip hop producer, released his debut album "The College Dropout" in 2004. His recent, third album being "Graduation" was released in 2007. All his albums received lots of awards (including nine Grammys). Kanye West who was born in Atlanta, Georgia was involved in a near car crash fatal in 2002 while driving home from the recording studio. The crash provided inspiration for West's first single, "Through the Wire". Kanye also won the 'best new artist' award in 2004.
Kenny Chesney
Everyone who loves to hear music of country genre would have come across the name 'Kenny Chesney'. Born in Knoxville, Tennessee, Chesney has recorded thirteen albums, eleven of which have been certified gold or higher by the Recording Industry Association of America. 'I will Stand' Chesney's third album for BNA, was released in 1997. "She's Got It All", which served as the album's lead-off single, became Chesney's first Billboard Number One single, spending three weeks at the top of the country charts.. Yet another enthusiastic artist in the globe!
Jimmy Buffett
Jimmy Buffet, the 62 year old businessman is also a successful singer and a song writer. His band is known as "the Coral Reefer Band". He has also produced movies recently including hits such as "Margaritaville". Buffett began his musical career in Nashville, Tennessee during the late 1960s as a country artist and recorded his first album, the folk rock Down to Earth, in 1970. Jimmy Buffett has released over 30 albums, as of October, 2007. In 2007 Buffett received the CMA Event of the Year Award for his song "Hey Good Looking" which featured Alan Jackson and George Strait.
LET THE MUSIC BEGIN
Simple words cannot explain the capabilities of these great legends. You need to catch them live in action to have the electrifying experience of their live concerts. Getting the tickets to the live concerts of these musical legends has never been easy before. However, websites like seat exchange helps you fans of these great artists find their events and get the tickets for them all in one place with ease. So what are you waiting for? Grab your tickets and let's experience the extravaganza.
Michel Stevenson writes articles on Concert Tickets, Tom Petty Tickets. Other information written by the author related to Kanye West Tickets, Kenny Chesney Tickets and Jimmy Buffett Tickets can be found on the web.
latin music festivalWhat is Curry Karaoke?
Karaoke is the act of singing along to recorded background music; it originates from Japan and in Japanese means empty orchestra.
It is rumoured that karaoke was invented In Japan in the 1970s, when a Japanese musician was asked by fans to provide a recording of his performance so that they could sing along on their vacation. Realising this potential the musician then developed a machine that for 100 yen would play his songs; the machine was originally leased out and not immediately available in stores as they are nowadays. Unfortunately for the Japanese musician a Filipino businessman recognised the potential market for such a machine and patented a sing-a-long system to be sold in stores along with the music.
Karaoke's popularity has lasted since its invention in the 1970's and has continued to be a popular form of entertainment and it has reached great success across the globe. Many bars, restaurants and clubs install karaoke machines into their venue, or hold karaoke nights to capitalise upon its popularity.
The concept Curry Karaoke was developed in Glasgow; combining the nations two favourite things, Indian food and karaoke, with such CurryOke nights happening across the city it is no wonder that Glasgow has been named the Curry Capital of the UK. With the Ashoka restaurant on Elderslie Street offering a Curry Karaoke package of a private function suite, large Indian buffet, karaoke, party games and fancy dress outfits it sounds like Curry Karaoke is the ultimate in party nights. Providing an excellent alternative to your average birthday party or staff night out a Curry Karaoke night will provide endless fun, good food and some brilliant photo opportunities; most definitely a different kind of night out.
Visit the Ashoka Website for a menu and photographs from the many Curry Karaoke nights that they put on.
best salsa musicThe Waltz
The Waltz is the epitome of elegance and grace. When you watch two people dance the Waltz in competition, they look as if they are from another time; the men dressed in tails, the women in beautiful gowns. As they spin around the dance floor, they look as if they are floating on air.
The Waltz first became popular in Vienna in the 1780's. It's interesting to note that the position of the Waltz; each partner holding the other in close contact, was considered vulgar, and even sinful, by parents and religious leaders of the day. In a time when the most common formal dances were those such as the Minuet, a choreographed dance where the only contact was occasional hand-holding, the Waltz was utterly shocking. Even as late as the mid-1800's, some newspapers printed opinion pieces warning parents of the Waltz being observed in their city. Of course, this controversy only served to increase the Waltz's popularity among young people in love.
Today, of course, the Waltz is a dance that is cherished for its loveliness. It's a dance that is easily modified to be a formal or casual dance. The Waltz is equally appropriate between two people madly in love on a moonlit night as it is between a father and daughter or a grandmother and grandson at a family gathering.
The Waltz is a dance you will use for the rest of your life. The Waltz will never go out of style, out of season or out of fashion. It is a dance that is equally as useful when you are 20 as when you are 80. Being a tempo-friendly dance, once you know the basic steps, the Waltz is easy to modify to whatever music is playing.
When learning to Waltz, one of the first things both the man and the woman need to get used to is to lead and to follow. In the modern world, men aren't used to being in charge of directing a woman's movements, and women aren't used to being directed. We live in a society of cooperation between the genders, without one having more control over the other. Giving and giving up control can be a sticking point at first while we find our places. To make this quicker to overcome for both the man and the woman, it's easier to think of the Waltz as a dance of cooperation rather than control. When a man indicates to his partner that they are moving in a certain direction, anything other than cooperation will end up as a mess. Cooperation, however, will bring out the beauty and grace of both partners.
Whether you want to learn to Waltz for a specific event such as a wedding or anniversary, or you've just always wanted to learn the Waltz, you can learn it much more quickly than you may think. In just a few lessons, you and your partner can be spinning around the dance floor like you've been dancing the Waltz together for years.
Want to learn to dance? Wish you could move your body confidently on the dance floor? Or would you just like to have a great excuse to get out and meet people? Well for all of the above come and visit Dance Vogue where professional dancer and teacher Natalie Beck show you how to take the next step.
If you have your wedding around the corner and are worried about that first dance, Natalie has a lot of experience helping couples get confident and looking great dancing together in a short period of time. Have a look at her wedding dancing lessons to get up to speed: http://www.dancevogue.com.au/
best salsa musicMarion Meadows "Next To You" Smooth Jazz Music CD Review
Marion Meadows, the richly talented Smooth Jazz artist has released his latest album titled Next To You and Wow! Its really a good one.
I wish it werent the case but, its not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just cant force myself to get through. Not at all the case with Next To You. Every track is enjoyable and was pretty easy for me to listen to from start to finish.
The nice thing about a CD like this is when the talent is this rich even if Smooth Jazz isnt your favorite style you still cant help but appreciate the greatness of the artist.
Overall Next To You is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Smooth Jazz fan. Really sensational from beginning to end.
My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 10, It's Alright Now. Good stuff!
Next To You Release Notes:
Marion Meadows originally released Next To You on Sep 26, 2000 on the Heads Up Records label.
CD Track List Follows:
1. Miami
2. Carousel
3. Blue Cactus
4. Next To You
5. Look Inside
6. The Dance
7. Any Time Any Place
8. No Rhyme, No Reason
9. Spend My Life
10. It's Alright Now
11. La Samba
Personnel: Marion Meadows (soprano, alto & tenor saxophones); Norbert Stachel (flute); Jay Rowe, Peter Horvath, Michael Beardon (piano); Ray Obiedo (keyboards, guitar); Dave Matthews, Barry Eastmond, Yasha Barjona (keyboards); Julio Fernandez (acoustic guitar); Tariqh Akoni (electric guitar); Marc Van Wegeningen, Curtis Olson (bass); Peter Michael Escovedo, (drums, congas, timbales, percussion); Pete Escovedo (guiro); Michael Spiro (shaker, triangle). Producers: Yasha Barjona, Ray Obiedo, Barry J. Eastmond. Engineers: Yasha Barjona, Ray Obiedo, Barry J. Eastmond.
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Thursday, August 28, 2008
Wayne Wright Shared The Whole Notes
On Friday (May 9th, 2008) the world lost a great musician and a wonderful human, being named Wayne Wright.
Everyone that came to know Wayne Wright would have their own personal "Wayne's World" story. Peter Pan must have still left some fairy dust on him, because he was always impish and wanted nothing to do with too serious a world. And yet it was Wayne that would always help someone to look at themselves when things kept going wrong. He gave out life lessons, while keeping his wonderful sense of humor.
Wayne was the rhythm guitarist for Judy Garland, Tony Bennett, Peggy Lee, George Barnes, Les Paul and a host of others. Many people grew as guitarists by being around Wayne. Wayne never considered himself a teacher as much as he viewed his role as a coach. His art was making people listen to themselves, where the melody was going and how they could support the melody at the same time.
Joe Pass introduced me to Wayne and he told us that we'd probably get along well, because we both have an off-beat sense of humor. Wayne made sure he introduced me to lots of great players, such as Tal Farlow, Martin Taylor, Jack Wilkins, Gene Bertoncini and Billy Bauer.
Wayne was surely a character. The last week of his life he was taken off a ventilator system and it was believed that he couldn't make it past 24 hours, but it was about 3 days later, he woke up and the first words out of his mouth were, "how far did you park the car from here". Wayne wanted to make a break for it. The very last day of his life, his wife knew she had to talk to him about the inevitable and she asked if there was anything he would care most to be laid out in, Wayne simply said "Surprise me!" That man was just one of a kind.
As terrific a guitarist as Wayne was, that's not going to be what all his friends miss most. In Wayne we got to see a man whose love for life was truly great, who took such pride in his friends that it almost popped his buttons. We saw too, someone who spoke lovingly of his children Scott and Nancy, of his beautiful granddaughter Jenny and most of all we saw a man that was truly thrilled to have spent his life with his wife JoAnn.
Wayne helped us all pay attention to the whole notes in life and so we're thankful for having known him and we'll all miss him so much for that!
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My site is building to offer options for selling all things on Jazz, both Amazon products and other great deal finders. You can take a jazz quiz or add to the blog - share the experience!
dance dance music videoMinor Scale Patterns
In my basic guitar theory lesson 2, we learned the pattern that every major scale was based on (remember the WWHWWWH), and in lesson 3 we learned that the 6th note of the scale was the relative minor. Knowing this, we have a new pattern for our minor scale. Before, the C scale (CDEFGABC) had the first formula applied to it. Now that we know that A minor is the relative minor of the C scale (6th note in the C scale), there is a new formula for the A natural minor scale (ABCDEFGA) is - WHWWHWW.
We know that each note in the scale has a certain number value (also called degrees or intervals) assigned to them. Since there are three types of minor scales-natural, melodic, and harmonic-the thing that makes them different are their intervals. The natural minor scale degrees compared to the major (C Natural Minor compared to C Major) would be
C Major: C D E F G A B C
Intervals: 1 2 3 4 5 6 7 8
C Natural Minor: C D Eb F Gb Ab B C
Intervals: 1 2 b3 4 5 b6 b7 8
The natural minor has flattened 3rd, 6th and 7th notes compared to the major.
C Major: C D E F G A B C
Intervals: 1 2 3 4 5 6 7 8
C Harmonic Minor: C D Eb F G Ab B C
Intervals: 1 2 b3 4 5 b6 7 8
The harmonic minor has flattened 3rd and 6th notes.
C Major: C D E F G A B C
Intervals: 1 2 3 4 5 6 7 8
C Melodic Minor: C D Eb F G A B C
Intervals: 1 2 b3 4 5 6 7 8
The melodic minor has only a flattened 3rd note, however that is only when going up the scale. Going down the scale, the melodic minor is the same as the natural minor.
Jesse Holmes operates http://www.myonlineguitarlessons.com a blog specifically for guitar enthusiasts. He loves giving away free stuff, and is now giving away a FREE ebook worth $97! You're not going to believe what it's all about! And it's all free! More information here.
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best salsa musicInteresting Facts About Olympic Nations - Mexico
Did You Know...
The 2014 Central American & Caribbean Games will be held in Veracruz, Mexico.
Mexico competed in the Summer Olympic 20 times ( Paris-1900, Paris-1924, Amsterdam-1928, Los Angeles-1932, Berlin-1936, London-1948, Helsinki-1952, Melbourne-1956, Rome-1960. Tokyo-1964, Mexico City-1968, Munich-1972, Montreal-1976, Moscow-1980, Los Angeles-1984, Seoul-1988, Barcelona-1992, Atlanta-1996, Sydney-200 and Athens-2004).
Belem Guerrero is undoubtedly one of the best cyclists in the world.This Mexican sportswoman won a silver medal at the 2004 Olympics.
From 1975 to 1979, Olegario Vazquez was one of the best shooters in the world. He competed at the Pan American Games in 1975, where he won a gold medal (air rifle).
Derek Parra has Mexican ancestry. Who is Derek? He is one of the greatest American speed skaters in the 21st century. At he 2002 Winter Olympics in Salt Lake City (Utah,USA ), he finished first in the 1,500 metres.
Rafael Herrera Osuna won the US Open 1963 Men`s Singles Tournament defeating Frank Froehling. He was the first Mexican to win the American Open. Rafael also helped Mexico reached the finals of Davis Cup.
Mexico hosted at the FIVB Volleyball Mens World Championship.The host country finished in 10th place.
From 1986 to 1994, Arturo Barrios was a famous Mexican runner. At the World Track and Field Cup in 1992, he finished second in the 5,000 metres. He also competed for his home country at the Olympic Games in 1988 and 1992. However, he became an American citizen in 1994.
Liliana Allen Doll became a Mexican citizen and competed in the 2000 and 2004 Olympics. This sprinter won two gold medals at the 2002 Central American and Caribbean Games in San Salvador (El Salvador). She was born on May 24, 1970 in Holguin, Cuba. She represented Cuba in the 1992 and 1996 Olympics.
Like Ana Mozer (Brazil), Luisa Fuentes (Peru) and Debbie Green (United States), Blanca Garcia was one of the best volleyball players in the 1970s and 1980s.
The 10th Summer Universiade, which took place from 2nd to 13rd September 1979 in Mexico City, comprised a programme of 10 Olympic sports. 712 sportswomen participated in the Games.The host country won 5 medals.Overall, Mexico ranked 14th ,after the USSR, USA, Romania, West Germany, East Germany, Great Britain, Japan, Italy, Hungary, Holland, Poland, Czechoslovakia and France.
From 1948 to 1968, Mexico won six Olympic gold medals.The Olympic champions were:Antonio Roldan (boxing), Humberto Mariles (equestrian), Joaquin Capilla (diving), Felipe Muoz (swimming), Ruben Uriza (equestrian), Ricardo Delgado (boxing) and Humberto Valdes (equestrian).
This country won 107 gold medals at the XX Central American and Caribbean Games in Cartagena de Indias (Colombia).
Mexico won the NORCECA Womens Continental Championship in 1971 in Havana, Cuba. It also won the gold medal at the 1970 Central American & Caribbean Games in Panama City.
The Mexican women's basketball team finished 6th at the World Championship in 1975 in Cali (Colombia).Furthermore, they won the silver medal at the Pan American Games in Mexico City.Cristina Betancourt and Pilar Saavedra were the best Mexican players.
Mexico sent only one sportsman to the Winter Olympics in Norway in 1994.
Fernando Platas was the flag bearer of the Mexican Olympic team at the 2004 Olympic Games in Athens (Greece). Who is Fernando Platas? Like Joaquin Capilla, Alvaro Gaxiola and Carlos Giron, he is a diver.He won two gold medals at the 1995 Pan American Games in Mar del Plata (Argentina). This Mexican is considered one of the greatest divers in the Third World.
Adriana Fernandez Miranda is one of the best runners in Latin America.At the 2003 Pan American Games in Santo Domingo (Dominican Republic), she placed first in the 5,000m and 10,000m events. She was born on March 4, 1971 in Mexico City.
This country sent 209 athletes to the 1972 Summer Olympics in Munich, West Germany. The Mexican team had athletes competing in : athletics (12), boxing (8), Wrestling (11), judo (3), weightlifting (3), gymnastics (15), cycling (8), shooting (12), archery (9), fencing (6), equestrian (12), modern pentathlon (4), swimming (38), soccer (19), field hockey (18), rowing (12), kayak (10) and sailing (9).
The I Central American & Caribbean Games were held in Mexico in 1926. The best Mexican sportspeople were Mariano Aguilar (athletics), Juan de Icaza (swimming),Manuel Guzman (track and field), Luis Scherer (swimming) and Alfonso Unda (tennis).
The Mexican water polo team finished 9th at the 1975 FINA World Cup in Cali, Colombia.This team won the gold medal at the VII Pan American Games.
Oscar De la Hoya has Mexican origin. This famous American boxer won a gold medal at the 1992 Olympics in Spain.
Ana Gabriela Guevara Espinoza is the greatest Mexican sportswoman of all time.She has been a member of the Mexico national team since 1997.Ana was named Mexico's Athlete of 2003.Certainly, she is an idol in the United Mexican States. For many reasons, she has contributed greatly to the development of sport in her country. Ana has won several international medals in the 1990s and the 2000s.
Top performances:
1998: Central American & Caribbean Games- 2nd 800m ,2nd 400m
1999: Pan American Games-1st 400m
2001:World Championship-3rd 400m
2002: Central American & Caribbean Games- 1st- 400m, 1st-4x400m relay
2003: World Championship-1st 400m; Pan American Games-1st 400m
2004: Olympic Games-2nd 400m
2005: World Championship-3rd 400m
2006: Central American & Caribbean Games- 1st- 400m, 1st-4x400m relay
2007: World Championship-4th 400, 8th 4x40m relay; Pan American Games-1st 400m, 2nd 4x400m relay.
Alejandro Guevara Onofre: He is a freelance writer.Alejandro is of Italian, African and Peruvian ancestry.He has published more than seventy-five research paper in English, and more than twenty in Spanish, concerning the world issues, olympic sports, countries, and tourism. His next essay is called "The Dictator and Alicia Alonso". He is an expert on foreign affairs. Alejandro is the first author who has published a world-book encyclopedia in Latin America.
He admires Frida Kahlo (Mexican painter), Jos Gamarra (former president of the Bolivian Olympic Committee ,1970- 1982), Hillary Clinton (ex-First Lady of the USA), and Jimmy Carter (former President of the USA). Alejandro said: "The person who I admire the most is Jos Gamarra . He devoted his professional and personal life to sport. Jos played an important role in the promotion of Olympism in Bolivia -it is one of the Third World`s poorest countries- and Latin America. His biography is interesting".The sportspeople he most admire is Olympic volleyball player Flo Hyman. "This African-American sportswoman is my idol..."
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Guitars
Guitars are music instruments that are very versatile; most musicians around the entire world use them because they find a guitar to be very easy to play.
They are also the most commonly chosen instrument for a student to start playing their way into music, mostly because it takes very little time to learn how to play it, and of course because it is not rare to be able to find a decent guitar for a very convenient price (unlike other instruments as pianos, for instance).
Today, all music shops offer a very wide variety of guitars, suitable for almost any musician, from beginners to masters. The most popular, however, are these two kinds of guitars: Acoustic guitars and electric 6-strings guitars.
Some very specialized vendors have started selling other classes of guitars; usually adaptations of the classical guitar made by different cultures all around the world. In these vendors shops, regular customers (mostly collectors) are able to buy guitars such as the Mexican guitarron, a huge guitar used by Mariachis, or as the guitarra criolla, an Argentinean adaptation of the 6-strigs classical guitar, used by Tango orchestras and also by the famous gauchos (the south-american version of cowboys).
Another advantage of guitars is that, once you learned the basics of music composition, you will find it easer to move into more complex instruments, such as violins, and keyboard instruments; which are more difficult to use as the first contact with music practicing.
Beyond all that, the key to guitars success (they are the most used musical instrument worldwide, and has been for a very long time) is what matters the most: its sound. The beautiful sound a guitar produces can be compared to the sound produced by instruments that are much more expensive, rare and hard to learn. That is what keeps a good guitar above the rest.
Tamara Williams is a successful author and contributor to Guitars which is dedicated to providing useful guitar help, tips, information on products and services for guitar players.
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How to Download Music to PSP
Have you been pulling your hair out trying to download music to your Sony PSP?
I am going to give you my quick and easy recipe for putting your favorite music on your PSP. There are only a few steps and it is a cinch on you know how.
1. First off you need to get what they call a cd ripper and while you are at it I would definitely grab a psp video converter. A cd ripper lets you pull music (rip) of your cd's
that you have now. The psp video converter will let you rip and convert video files to watch on your PSP...so you can watch and listen to music videos and music, cool heh!
2. Load your cd and fire up your cd ripper select the song or songs you want to put on your PSP and hit the "extract and encode" to PSP.
3. If you already have music files on your pc then all you need to do is hit "add" from your cd ripper or psp video converter.
4. Make sure on all of the above you select the "PSP" format.
5. How to download or transfer your music to PSP? Just connect your PSP with your PC with the USB cable, and copy your mp3 file(s) into "H:PSPMUSIC" where H: would equal the drive of your PSP.
That's it. It is real simple to put music on your PSP!
Travis Sago is a computer technician and PSP enthusiast and fanatic. Don't have a good cd ripper or psp video converter? You can learn more about both at http://www.the-psp-pimp.com/pspvideoconverter.html
dance music chartsPromoting Your Business On Facebook Properly
Of course the colossal media attention that Facebook has received - and it's absurd valuations - coupled with the increasing number of member has certainly been a pull for all sorts of businesses to harness the platform, but the question is? How are they? And how are you - and your business - harnessing Facebook pages?
Have you just reactively just thrown up a Facebook profile without really thinking strategically about what you really want to gain from it? And are you aimlessly collecting friends with no real clue as to how to get these members to your website?
The Facebook business pages go in some way to organise the range of business that currently have traditional profiles by offering an easy to manage template where business owners can include their address, logo and contact details - and best of all they're free and easy to set up.
These pages are, in my opinion, far sleeker than the "teenage" bedroom walls of traditional pages - with the added difference that "Friends" are in fact "Fans" who are available to post reviews, comments, photos and comments about the company.
But benefiting from Facebook pages is not about just throwing a profile up, so before glancing over the 'how to' guide, ask yourself, "why do I need a Facebook page?" Is it for increased visibility? And if so, how do you propose to attract and keep these customers? Or is the objective to be more customer-centric by listening to their recommendations and criticisms in order to add value to your business? And if so, do you have the resource to manage this strategy effectively?
Whilst any tentative approach into arenas like Facebook are of course likely to allow one to learn from their mistakes, something has to be said for missing an opportunity to be great, to capture the attention of your customers once and have them be 'fans' for eternity.
The following five steps explain how to get started:
1. Visit http://www.facebook.com/business/?pages and click on the "Create a page" button
2. You'll then be presented with a range of categories including "Local", "Business / Product" or "Artist, Band, or Public Figure". Pick the category applicable for your business.
3. On this same page, either the name of your business, product or artist name and click the "Create Page" button.
4. At this stage, you'll be presented with a template which you'll need to populate with your business information. A short description, web address, contact details and a company logo is a good place to start, which you can include by clicking on the "Add Information" link at the top of the page.
5. Once you are happy with how your page is looking, click back to the 'Add Information' page and click on the "Publish this page" link. (You page will not be accessible by the Facebook community until you do this).
Now, you've got your basic Facebook page you're a third of the way there... and whilst in this article I won't discuss promoting your profile or recruiting friends I will instead brainstorm a few ideas as to how you can add value to your page by encouraging users or 'prospective' fans to interact with you and your business - this is, after all, "Social" media.
Let's say, for instance, that my client is a local produce company that sells via its central Brighton retail premises in addition to having concessions in a number of farm shops and cafes. Their online sales are increasing steadily, particularly its hampers at Christmas time, however with competition from the major supermarkets they really want to step up they 'local' exposure online. They known their produce is far superior than that of their competitors, but they just need an avenue to communicate this to both their existing and prospective customers.
They've already ventured into Facebook (as just one tool in their arsenal) but this has had limited success, they now want to know how they can 'use' their Facebook page to increase awareness and ultimately drive traffic into the shop and the website. My advice would include:
Add value to your page:
Adding 'value' or 'usefulness' to your page is essential in order to increase the time spent on your page and ensure your 'Facebook fans' return to it. A worst case scenario would be that prospective users, on their first visit to your Facebook profile merely decide to become a fan without ever actually engaging. Think about consumption.
The Produce Shop could include extensive details of where their retail shop is located, including a map and a link to a section of their website where they've highlighted the nearest train and bus station and the best place to park.
They could go further to include their opening times, their telephone number and web address, details of new products that have come into the shop this week, special offers, local events they recommend, short interviews with local producers and farmers, an up to date news feed of what's happening in Sussex and the regular posting of photos both in the shop, at local farms, at food fayres and school fates. This added value needn't all be 'one way' either.
Allow and Encourage Participation:
Whilst we are aware of the large collection of users and vast number of groups within Facebook it more difficult to predict how users will interact with these groups, but it's safe to say that with any communicative means, interaction and participation is likely to merit the more valuable response.
The Produce Shop could ask users to submit their own images of what "Local" means to them, or perhaps photographs of particular meals they have cooked with local produce including the recipe. This idea could be expanded by staging a "Facebook" competition, to win, say a hamper, whereby users are encouraged to submit photographs and 'get involved'.
Posting 'thought' provoking points for discussion such as "Is Tesco right to compete on price with battery Chickens?" will encourage users to post their feelings within your profile as well as check back for follow up comments.
In this way, the 'fans' (of your brand, product or service) become an active community.
Post a 'Facebook' event:
There is nothing like a good wine and cheese evening, but how about extending this and having a late night opening of the shop and offering customers a tasting session of a range of local cheeses and wines. The Produce Shop could post a 'Facebook' event about this evening, which would then be shared to all of the group's members, who might in turn 'accept' or 'decline' their invitation. The beauty of this feature is that their decision will be posted within their 'mini feed' (a sort of list of what they have been doing on Facebook - viewable by their friends) which feature promotes the event.
Photographs of the evening (which could be doctored with a 'Produce Shop' logo could then be posted on the Product Shops Facebook page allowing users to tag themselves. Again, this is excellent for branding, and using free tool to your advantage.
Start a Facebook group:
Facebook allows members to start and join groups, ranging from all sorts of subjects and the produce shop could start a group, such as "I vow to Keep it Local" or "I love Sussex Produce" which might feature a lengthy description and photos on the excellent range of produce available within the region, where to buy it from and why it's important to think locally. The Produce Shop might wish to team up with other retailers, cafes and shops who can all promote this Facebook group, which might also venture offline as well as they all campaign for local product, whilst also championing their businesses.
But with any foray into social media you have to be prepared to listen to your customers, who might have both good and bad things to say about your business, your staff and/ or your products. Don't just burry you head in the sand or delete any negative comments; instead use this to your advantage.
If a user was complaining -at length- that their Christmas hamper didn't turn up until the New Year as a result of an administration error then this is an idea opportunity to post a response asking for them to contact you, or perhaps offer your apologies and promise to send them a gift voucher or a complimentary bottle of Sussex wine.
Demonstrate that you care about your customers; you are prepared to listen and make the necessary amendments to ensure complaints are minimised by tackling the root of the problem. If you have failings within your business, then you can guarantee your customers will point them out, but by being seen to listen to your customers, the perception of your brand will be heightened, over competitors who are busy burying their heads in the sand.
In conclusion Facebook pages can:
- Heighten Brand Awareness
- Create Brand Evangelists
- Provide Valuable Customer Feedback
- Widen the potential pool of prospective customers
- Increase Sales (offline and online)
It is just about taking that first step, that first foray into social media and engaging with users...... your efforts WILL be reciprocated.
Simon Dance is the link and social media executive at Leapfrogg, a Brighton SEO and Search Marketing agency who specialise in best practise and ethical search marketing solutions.
Keep up to date with future post from Simon Dance on the FroggBlog or get in touch at Leapfrogg.co.uk
2008- This article is free for republishing - One link must be active.
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The Beijing Opera, with its distinctive Chinese opera masks, is one of China's most recognizable cultural icons. Combining Music, Dance, Theatre, and Martial Arts, it has existed for over 200 years portraying Historical Events and Literature with beauty, style, and dynamic performance. It is most prominent in Beijing, but almost every Province in China has some form of Opera theatre. With its elaborate costuming, complex musical orchestrations and seemingly limitless Make-up and Mask designs, the Beijing Opera is seeing revitalization in popularity with both young and mature audiences.
What is now called the Beijing Opera originally came from a combination of several sources. In about 1790, four great theatre troupes from Anhui came to perform for the Royal Family. They brought arias and melodies called Xi Pi. Around 1828, performers from Hubei came to the same area and staged combined shows adding their local pieces of music called Er Huang. These performances were for the Royals but soon were to become more mainstream during Emperor Qianlong's reign as well as support from the notorious Empress Dowager Ci Xi. During this time, thousands of pieces of repertoire were developed covering the historical events, classic novels and stories of China as well as revisions of Western stories.
There are four basic categories of characters in the Beijing Opera style.
SHENG- The main Male actors in a performance. Either civil or military, there are several different aspects of training for the various lead male parts.
i. LAO SHENG- Senior Male roles, middle aged man with beard of black, grey or white. A soft or pleasant voice with dignity.
ii. XIAO SHENG- Junior male role or young man. No beard and a high sometimes shrill voice that may, on occasion, crack denoting immaturity and adolescence.
iii. WU SHENG- Acrobatic male roles or roles that require much activity. Military plays or civil plays that demand high standards of acrobatics. Performs the stylized martial arts fight scenes with sword or spear. Not usually trained as opera singer.
iv. WAWA SHENG- Kids and children roles. DAN- Female roles of several categories.
i. QING YI ( Ch'ing I)- Lady of good character. Quiet gentle disposition. Graceful flowing movements in "water sleeves" costume. Elegant but not vivid. Singing voice is high pitched.
ii. HUA DAN ( Hua Tan)- Flirtatious young girl role. Usually not as high a social standing as Qing
Yi. Coy and quick movements. A very difficult part to play. Attractive eye movements and continually changing facial expression. Vivid costume featuring handkerchief to flutter in her hand. Strong voice but more speaking than singing.
iii. GUI MEN DAN (Kuei Men Tan) - Young unmarried girl. This role may turn into Qing Yi or Hua Dan. Mischievous but not as much as Hua Dan. Immature reactions and movements.
iv. DAO MA DAN (Tao Ma Tan) - Female Warrior role. Trained for acting and singing but
performs highly skillful martial movements often with feathered headdress. Still a very feminine role. The now famous role of Disney's "MULAN" was based on Hua Mulan who disguised herself as a man to prevent her father from being conscripted into the military. She served for 12 years during the SouthNorth Dynasty and was decorated as a national hero.
v. WU DAN (Wu Tan) - Female Acrobatic roles. Steps in on any role that requires high acrobatic ability. Purely an acrobat but role can demand a talented actress to make for a successful performance.
vi. CAI DAN (Cai Tan) - Female Comedians. Serves to add relief to stressful scenes in serious plays. See also CHOU roles.
JING- Painted face male roles. These parts are known more for courage and resourcefulness than for scholarly intelligence. Often a high-ranking general or warrior/official. Jing actors are usually extroverts. A robust, sometimes gruff, bass voice. Full of swagger and self-assurance. There are many common color schemes associated with Jing roles but some of the more common are easily recognizable.
v Red- Good character and virtuous person.
v White- Treacherous and guile
v Green-Lack of self-control, rash, stubbornness
v Black- Brusque character
v Blue- Wild perhaps a Robber
v Gold/Silver- Used only for Gods and Spirits
The facial painting patterns also give information about a character. There are hundreds of patterns and designs for many situations and roles.
There are 3 main types of Jing roles:
i. DONG-CHUI- (T'ung Ch'uei) Also know as Hei Tou (Black Face) this role is a good singer and usually a loyal General
ii. JIA ZI- (Chia Tze) - A very good actor for more complicated characters.
iii. WU JING- Fighting and acrobatics. Seldom plays a prominent role.
CHOU- Comedy Roles. Dim but likable and amusing characters. Sometimes slightly wicked perhaps a rascal or a scholar/Prince who would not command much respect. There are two basic types of Chou roles:
i. WEN CHOU- Civilian roles.( Jailer, servant, merchant, scholar)
ii. WU CHOU- Minor Military roles but skilled in acrobatics
Of special mention should be the popular role of SUN WU KONG -The Monkey King.
This is a famous story of a Monks journey from China to India to collect scriptures to bring back to China... He is usually accompanied by a Pig for comedic effect, a not-so-learned monk to mediate the many quarrels and the Monkey King. This is played by a Wu Sheng actor. Known for the bent knees and an arms forward stance that imitate monkey movements. He has mastered Longevity, the 72 transformations of his physical body and can do somersaults in the clouds. Sun Wu Kong is followed by a troupe of monkeys who behave in the same manner but have individual personalities (greedy, naughty, sleepy, etc.). The Monkey King continues to be one of the most popular story lines in all of Chinese Opera Theatre.
The Opera Theatre form suffered during the Cultural Revolution (1966-1976) when all traditional pieces were banned. New versions became stories concerning "Class Struggle". The "Eight Model Plays" were a very popular theme, as were stories concerning Communist Activities, Anti-Japan sentiment, and the Civil War against Nationalists. The traditional stories were allowed to be shown in 1978 but by then they seemed out of date and the productions lacked historical and theatrical knowledge. Audiences lost to more contemporary forms of entertainment were hard to replace with the exception of those who were children when the Beijing Opera was at its peak. Many who lived through the Cultural Revolution preferred the newer versions and still favor those melodies.
Campaigns exist to bring back this lost art from as well as other Theatrical Arts. The Plum Blossom Award, sponsored by the Chinese Opera Journal, gives awards, judged by the Journal, to new artists. The actors and actresses must be under 45 years of age and come from all over China. These and other competitions are seen on the CCTV, China's main television network and radio stations, particularly during the New Years special concerts. There has even been designated a Beijing Opera Month.
In recent years, performances worldwide of Beijing Opera theatre have brought this marvelous art form to broader audiences. It has served as ambassador to the West providing many new opportunities for people to enjoy a performance style that rivals any of the Grand Operas and Symphonies of Europe and North America.
Timothy Jordan was born in Detroit, Michigan where he began a career in music at a very early age. Having studied with the regions top teachers and performers he set off on his own "MUSO SHUGYO" or musical wanderings and ended up in Boston, Mass. While there he has performed in some of the top music groups, touring, and recording for live, television, theatre and movies. His percussion skills took him to Japan where he had an intensive study with the drummers of KODO. Mr. Jordan also has studied several martial arts styles including Iaido, the Japanese Sword. He continues today to further his cultural studies and is currently the owner of an Asian art and cultural goods Internet retail business, LIVE COMPLETE and ZENSHO PRODUCTS.com
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